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My Time With Shakespeare

My father owned this edition of The Complete Works of William Shakespeare and it passed down to me. I don’t recall the circumstances under which I came to own this book but I do know that it has glistened with its gold-leaf lettering and rustic brown binding on my bookshelf providing me a sort of peace.

As a literature major at Saint John’s University, I chose to study Shakespeare for a semester but, like other times when natural passions suffer submission to official tutelage, I squandered the opportunity to apply myself fully into Shakespeare’s genius. Even now, I have trouble referring to his “genius”. I should say I have an inherent disinclination toward all things one ought to glorify. If the world crowns Babe Ruth as the greatest in baseball history, I argue for Ted Williams.

However, like so many other things, I have reluctantly disengaged myself from my own pompous rebellion to search for the man, as I dabble here and there, deserving of the affections. Call me hard-headed or obstinate, thick-skinned, a late bloomer, one who won’t acknowledge how that official tutelage has finally emerged from my subconscious into my waking mind, but I grow because of that emergence in my own perfect timing.

Therefore, I begin. Through this year, and carrying into future ones, I pledge to study one play in between novels. I will read plays I have already read, delve into plays which have intimidated me and endure the plays which I had found ridiculous. I entitle this series of study “My Time of Shakespeare” and it will include essays of my own thoughts and reactions after reading, watching or discussing the plays. I have included my most recent reading of King Lear into this series even though I finished it prior to its conception. Unfortunately, I have yet to disengage myself from my pompous rebellion against the sonnets, or poetry in general for that matter, so the plays shall remain my sole focus. I have outgrown my bias against him, my excuses to avoid taking him seriously because so many others already do. After all, such an attitude coupled with a literary passion void of Shakespeare’s influence only serves to hinder my intellectual growth and bolster my arrogant pride.

Comedies

The Final Bow: A Personal Reading of Shakespeare’s ‘The Tempest’

The Final Bow: A Personal Reading of Shakespeare’s ‘The Tempest’

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Shakespeare’s Puppets: Why ‘The Winter’s Tale’ Feels Forced & Artificial

Shakespeare’s Puppets: Why ‘The Winter’s Tale’ Feels Forced & Artificial

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Why Does Helena Love Bertram? A Critical Look at ‘All’s Well That Ends Well’

Why Does Helena Love Bertram? A Critical Look at ‘All’s Well That Ends Well’

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Shakespeare’s ‘Taming of the Shrew’: The Irony of “Killing with Kindness”

Shakespeare’s ‘Taming of the Shrew’: The Irony of “Killing with Kindness”

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Is ‘The Comedy of Errors’ Just a Joke? A Modern Review

Is ‘The Comedy of Errors’ Just a Joke? A Modern Review

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Why the Ending of Shakespeare’s ‘As You Like It’ Doesn’t Work

Why the Ending of Shakespeare’s ‘As You Like It’ Doesn’t Work

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Why ‘Love’s Labour’s Lost’ Fails: A Critical Shakespeare Analysis

Why ‘Love’s Labour’s Lost’ Fails: A Critical Shakespeare Analysis

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The Chaos of Cupid: Control & Inversion in A ‘Midsummer Night’s Dream’

The Chaos of Cupid: Control & Inversion in A ‘Midsummer Night’s Dream’

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Shakespeare’s ‘Measure for Measure’: Is State Justice Actually Just?

Shakespeare’s ‘Measure for Measure’: Is State Justice Actually Just?

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Funny but Flat? A Review of Shakespeare’s ‘The Merry Wives of Windsor’

Funny but Flat? A Review of Shakespeare’s ‘The Merry Wives of Windsor’

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Histories

The First Tetralogy

The Psychology of ‘Richard III’: Fear, Ambition, and the Rogue

The Psychology of ‘Richard III’: Fear, Ambition, and the Rogue

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‘Henry VI, Part 3’: The King, The Philosopher – Why Shakespeare Inverts Henry’s Story Arc

‘Henry VI, Part 3’: The King, The Philosopher – Why Shakespeare Inverts Henry’s Story Arc

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‘Henry VI Part 2’ Review: The Weak King vs. Bombastic Villains

‘Henry VI Part 2’ Review: The Weak King vs. Bombastic Villains

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Shakespeare’s ‘King Henry VI Part 1’: When Noble Hearts Fail

Shakespeare’s ‘King Henry VI Part 1’: When Noble Hearts Fail

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The Second Tetralogy

More Than a Conquest: Why Shakespeare’s ‘King Henry V’ is a Story of Unity

More Than a Conquest: Why Shakespeare’s ‘King Henry V’ is a Story of Unity

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Sympathy for a Fool: A Review of Shakespeare’s ‘Henry IV Part 2’

Sympathy for a Fool: A Review of Shakespeare’s ‘Henry IV Part 2’

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Why John Falstaff? A Character Analysis of ‘King Henry IV Part 1’

Why John Falstaff? A Character Analysis of ‘King Henry IV Part 1’

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‘Richard II’ Character Analysis: Identity Crisis & The Divine Right

‘Richard II’ Character Analysis: Identity Crisis & The Divine Right

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Other Histories

The Original Political Thriller: A Modern Review of Shakespeare’s ‘King John’

The Original Political Thriller: A Modern Review of Shakespeare’s ‘King John’

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Shakespeare’s ‘Henry VIII’ Analysis: When Mightiness Meets Misery

Shakespeare’s ‘Henry VIII’ Analysis: When Mightiness Meets Misery

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Tragedies

Why is Othello Black? Analyzing Systemic Racism & Iago’s Motives

Why is Othello Black? Analyzing Systemic Racism & Iago’s Motives

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Is Shakespeare the Witches? A New Theory on ‘Macbeth’s’ Fate

Is Shakespeare the Witches? A New Theory on ‘Macbeth’s’ Fate

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Decoding ‘Cymbeline’: Disguise, Truth, and the Meaning of the Title

Decoding ‘Cymbeline’: Disguise, Truth, and the Meaning of the Title

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Love or Ego? A Deep Analysis of Shakespeare’s ‘Antony and Cleopatra’

Love or Ego? A Deep Analysis of Shakespeare’s ‘Antony and Cleopatra’

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Is Justice Served? A Deep Analysis of ‘Timon of Athens’

Is Justice Served? A Deep Analysis of ‘Timon of Athens’

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Why ‘Romeo and Juliet’ is the Best Love Story (Despite the Tragedy)

Why ‘Romeo and Juliet’ is the Best Love Story (Despite the Tragedy)

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Review: The Uncomfortable Sympathy of Shakespeare’s ‘Titus Andronicus’

Review: The Uncomfortable Sympathy of Shakespeare’s ‘Titus Andronicus’

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‘Coriolanus’: Shakespeare’s “Hollywood Blockbuster” of Political Manipulation

‘Coriolanus’: Shakespeare’s “Hollywood Blockbuster” of Political Manipulation

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‘Julius Caesar’ Analysis: Ambition, Power, and the Moral Dilemma

‘Julius Caesar’ Analysis: Ambition, Power, and the Moral Dilemma

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The Supremacy of Performance: How ‘Hamlet’ Reveals the Human Soul

The Supremacy of Performance: How ‘Hamlet’ Reveals the Human Soul

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Others

‘Pericles’ Review: The Authorship Debate and Shakespeare’s Rescue

‘Pericles’ Review: The Authorship Debate and Shakespeare’s Rescue

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Love Drained by War: Why ‘Troilus and Cressida’ is Shakespeare’s Ultimate Tragedy of Ego

Love Drained by War: Why ‘Troilus and Cressida’ is Shakespeare’s Ultimate Tragedy of Ego

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One response to “My Time With Shakespeare”

  1. Zia Vanger Avatar
    Zia Vanger
    October 29, 2013 at 1:47 am

    Hello ‘benreadsalot’, this has to be the most innovative name I’ve come across so far 🙂

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For this world also which seems to us a thing of stone and flower and blood is not a thing at all but is a tale. – Cormac McCarthy, “The Crossing”

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