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The Library Annex
Authors
Fiction
Nonfiction
Novels
Novella
Short Stories
Plays
Epic Poetry
Mythology, Folklore and Legend
War Literature
Series
Advise and Consent Series
American Gods Series
Border Trilogy
Cannery Row Series
Civil War Trilogy
d’Artagnan Romances
Frederick Douglass Autobiography Series
Little Women Series
Mafia Series
Maya Angelou Autobiography Series
Monkey Wrench Gang Series
Roads to Freedom
Sin and Salvation
Watership Down Series
Book Projects
My Time With Shakespeare
My Italian Renaissance
My Pulitzer Prize Reads
My National Book Award Reads
20th Century American Novels (1900-1949)
The Cost of Idealism: Why Martin Arrowsmith is Relatable, Not Admirable
Ben
Survivor or Accomplice? The Moral Ambiguity of ‘All The King’s Men’
Ben
Why ‘Alice Adams’ Matters: Escaping the Shackles of High Society
Ben
Arduous but Insightful: A Brutally Honest Review of ‘The Age of Innocence’
Ben
Old World vs. New: Why the Ending of ‘The Able McLaughlins’ Falls Short
Ben
Why Perspective is Everything in William Faulkner’s ‘As I Lay Dying’
Ben
Uneventful Plot, Perfect Philosophy: Why You Should Read ‘Across the River and Into the Trees’
Ben
Forget the Symbolism: Why the Characters Drive Steinbeck’s ‘The Wayward Bus’
Ben
‘Tortilla Flat’ Analysis: Steinbeck’s Arthurian Parallels
Ben
‘To Have and Have Not’: Genius or “Incomprehensible Nonsense”
Ben
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