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The Immersion Library

The Immersion Library

The Annex: In-Depth Analysis & Reviews

  • Authors
  • Fiction
  • Nonfiction
  • Novels
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  • Epic Poetry
  • Mythology, Folklore and Legend
  • War Literature
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    • My National Book Award Reads
    • My Pulitzer Prize Reads

Ben

  • Dante’s Vision of God vs. Satan: Why ‘The Divine Comedy’ Isn’t a Proof

    Dante’s Vision of God vs. Satan: Why ‘The Divine Comedy’ Isn’t a Proof

    Ben
  • ‘The Color of Law’ Analysis: Shattering the Myth of De Facto Segregation

    ‘The Color of Law’ Analysis: Shattering the Myth of De Facto Segregation

    Ben
  • What We Get Wrong About Hate: Lessons from ‘Stamped from the Beginning’

    What We Get Wrong About Hate: Lessons from ‘Stamped from the Beginning’

    Ben
  • Is Watson Unreliable? A Review of ‘The Complete Sherlock Holmes Vol 1’

    Is Watson Unreliable? A Review of ‘The Complete Sherlock Holmes Vol 1’

    Ben
  • Is ‘The Comedy of Errors’ Just a Joke? A Modern Review

    Is ‘The Comedy of Errors’ Just a Joke? A Modern Review

    Ben
  • Meeting the King: A Tribute and Review of ‘Blues All Around Me’

    Meeting the King: A Tribute and Review of ‘Blues All Around Me’

    Ben
  • The Flawed Masterpiece: Unpacking Tolstoy’s Debut Trilogy

    The Flawed Masterpiece: Unpacking Tolstoy’s Debut Trilogy

    Ben
  • ‘Keep the Aspidistra Flying’: Why Gordon Comstock is Orwell’s Most Unbearable Lead

    ‘Keep the Aspidistra Flying’: Why Gordon Comstock is Orwell’s Most Unbearable Lead

    Ben
  • Why the Ending of Shakespeare’s ‘As You Like It’ Doesn’t Work

    Why the Ending of Shakespeare’s ‘As You Like It’ Doesn’t Work

    Ben
  • Why ‘Love’s Labour’s Lost’ Fails: A Critical Shakespeare Analysis

    Why ‘Love’s Labour’s Lost’ Fails: A Critical Shakespeare Analysis

    Ben
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  • Authors
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  • Mythology, Folklore and Legend
  • War Literature
  • Collections
    • Shakespeare
    • My National Book Award Reads
    • My Pulitzer Prize Reads

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